This book explores the seminal role of color in the artistic practice of Donald Judd. It delves into Judd's theories on color, his use of specific hues and materials, and how color functions within his minimalist sculptures and installations. The text examines the evolution of his chromatic vocabulary and its impact on the perception of form and space.

This monograph is recognized for its in-depth scholarly approach to Donald Judd's engagement with color. It is valued by art historians and collectors for its detailed analysis and comprehensive visual material. The book provides essential insights into a critical, yet often complex, aspect of Judd's oeuvre. Its contribution lies in clarifying the theoretical and practical dimensions of color in his minimalist vocabulary.