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In The Novel of the Future, Anaïs Nin explores the act of creation—in literature, film, art, and dance—to arrive at a new synthesis for the young artist struggling against the sterility, formlessness, and spiritual bankruptcy afflicting much of modern fiction. Identifying those trends which she finds most destructive in modern fiction (reportage, the substitution of violence for emotion, and the growing cults of ugliness, toughness, and caricature), Nin offers, instead, an argument for and synthesis of the poetic novel.Drawing upon such related arts as filmmaking, painting, and dance, Nin discusses her own efforts in this genre as well as the development of such writers as D. H. Lawrence, Henry Miller, Lawrence Durrell, Marguerite Young, and Djuna Barnes. In chapters devoted to the pursuit of the hidden self, the genesis of fiction, and the relationship between the diary and fiction, she addresses the materials, techniques, and nourishment of the arts, and the functions of art itself.
How can the modern artist overcome the perceived sterility and spiritual bankruptcy of contemporary literature to create a more authentic, poetic form of fiction? Anaïs Nin, a prominent diarist and novelist, draws upon her own creative practice and the works of contemporaries like Henry Miller and D. H. Lawrence to argue for a shift away from reportage and violence. She proposes a synthesis of artistic disciplines, including film and dance, to revitalize the novel through the exploration of the hidden self and the integration of personal experience.
What You Will Find
Scope Limits
Critics and writers often view this work as a vital manifesto for the experimental novel and a window into Nin's personal aesthetic philosophy. Readers frequently note the introspective and lyrical density of the prose, which serves as both a critique of mid-century literary trends and a guide for the aspiring artist.
Page Count:
212
Publication Date:
1970-01-01
Publisher:
Collier
ISBN-10:
0020531001
ISBN-13:
9780020531005
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