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The history of genres, or kinds, of drama is one of contradictory traditions and complex cultural assumptions. The divisions established by the original edition of Mr. William Shakespeare's Comedies, Histories, and Tragedies (the First Folio, 1623) give shape to whole curricula; but, as Lawrence Danson reminds us in this lively book, there is nothing inevitable, and much unsatisfying, about that tripartite scheme. Yet students of Shakespeare cannot avoid thinking about questions of genre; often they are the unspoken reason why classrooms full of smart people fail to agree on basic interpretive issues. Danson's guide to the kinds of Shakespearean drama provides an accessible account of genre-theory in Shakespeare's day, an overview of the genres on the Elizabethan stage, and a provocative look at the full range of Shakespeare's comedies, histories, and tragedies.
This book investigates the historical, cultural, and theoretical foundations of the genre classifications applied to William Shakespeare's dramatic works. Lawrence Danson, a scholar of Elizabethan drama, examines the limitations of the traditional tripartite division established by the 1623 First Folio. He argues that these categories are not inherent or inevitable, but rather products of specific historical assumptions that continue to shape modern academic interpretation and classroom discourse.
What You Will Find
Experts and students frequently cite this work as a foundational text for understanding the complexities of Shakespearean classification. Readers often note that the prose remains accessible while providing the necessary academic rigor for advanced literary study.
Page Count:
168
Publication Date:
2000-03-16
Publisher:
Oxford University Press
ISBN-10:
0198711727
ISBN-13:
9780198711728
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