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Introduction by Hyatt H. Waggoner. 8vo pp. XXX + 410 Brossura (wrappers) Firma di appartenenza all'occhiello (Owner's name on the half-title) Molto buono (Very Good)
Nathaniel Hawthorne explores the moral complexities of the human condition through a series of allegorical encounters and historical reflections. In these narratives, protagonists often confront the weight of ancestral guilt, the isolation of the individual, and the tension between public virtue and private sin. Hawthorne utilizes a third-person omniscient perspective to examine the psychological interiority of his characters, who are frequently constrained by the rigid social and religious structures of early New England. The stories operate within a framework of symbolic realism, where the physical environment mirrors the internal moral state of the characters.
Discussion often centers on Hawthorne's ability to weave complex moral questions into accessible narrative structures. Readers frequently highlight the atmospheric density of his prose, noting how the settings serve as active participants in the unfolding drama. Critics often point to the author's preoccupation with the legacy of the past as a defining feature of his work. The balance between character-driven introspection and symbolic action remains a primary focus for those analyzing his contribution to American literature. Many readers find that the enduring relevance of his themes provides a consistent point of engagement across generations.
Page Count:
410
Publication Date:
1964-01-01
Publisher:
Holt, Rinehart & Winston
ISBN-10:
0030098505
ISBN-13:
9780030098505
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