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"Tristram is the Fashion," Sterne gleefully wrote of his masterpiece, Tristram Shandy, in 1760. This study reads Sterne's writing alongside other trends and texts of the time, showing how Sterne created and sustained his own vogue through self-conscious play on his rivals' work. The result is a highly original account of a major early novelist, and of the way his writing reveals and defines what one witness called "this Shandy-Age."
How did Laurence Sterne navigate and manipulate the competitive literary landscape of the eighteenth century to establish his unique authorial brand? Thomas Keymer, a scholar of eighteenth-century literature, examines the interplay between Sterne’s experimental prose and the broader cultural trends of his era. By analyzing Sterne’s engagement with contemporary rivals and the reception of his work, Keymer argues that Sterne’s self-conscious literary play was a deliberate strategy to define the aesthetic sensibilities of his time.
What You Will Find
Scholars recognize this work as a significant contribution to the study of Laurence Sterne and the development of the early novel. Readers frequently note the academic density of the prose and the precision with which Keymer situates Sterne within his historical context.
Page Count:
236
Publication Date:
2003-02-06
Publisher:
Oxford University Press
ISBN-10:
0199245924
ISBN-13:
9780199245925
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