This book investigates the fundamental concept of the 'screen idea' and its poetic expression in screenwriting. Ian W. MacDonald, drawing on his background in film studies and creative writing, explores how abstract notions are translated into tangible cinematic narratives. The work examines the theoretical underpinnings of screenwriting, focusing on the creative process and the structural elements that give shape to filmic concepts. It aims to provide a deeper understanding of the poetics inherent in the craft of writing for the screen.

The book is positioned as a theoretical exploration for screenwriters and film scholars, likely appealing to those interested in the conceptual and artistic dimensions of filmmaking. Its focus on 'poetics' suggests an analytical approach that delves into the underlying aesthetic and structural qualities of screen narratives. The subject matter indicates a text that aims to deepen understanding of the craft beyond practical, step-by-step guides, offering a more philosophical perspective on the creation of cinematic ideas.