This volume investigates the complex intersection of dance, historical reenactment, and cultural memory to determine how choreographic repetition functions as a mode of knowledge production. Editor Mark Franko, a prominent scholar in dance studies, curates a collection of essays from both practitioners and theorists to analyze how the act of repeating a dance performance challenges traditional notions of originality, authorship, and historical truth. The text utilizes a multidisciplinary framework, drawing on cultural geography, media studies, and historiography to examine the tension between the archive and embodied memory.

Scholars and practitioners in the field of performance studies identify this handbook as a comprehensive resource for understanding the theoretical underpinnings of dance reenactment. Readers frequently note the academic density of the prose, which serves as a foundational text for advanced research in choreography and cultural history.