This book investigates the complex interplay of cultural performance and identity in colonial and modern China. It examines how theatrical and other performance forms were utilized and transformed during periods of significant political and social change, exploring the ways in which hybrid identities were constructed and negotiated through these performative acts. The study draws on historical analysis and performance theory to understand the nuances of cultural expression in a rapidly evolving society.

The book is situated within the Palgrave Studies in Theatre and Performance History series, suggesting a scholarly and academic audience. Its focus on hybridity and performance in a specific historical context indicates a contribution to both performance studies and Asian studies. The academic framing implies a rigorous analysis of primary sources and theoretical engagement, likely appealing to researchers and students in these fields.