
The tale of a mythic king’s aggression against his offspring, and his desperation to escape the curse of old age laid upon him in the prime of life. The anxieties that torment a middle-class family as their daughter awaits the arrival of the ‘suitable boy’ from abroad whom she has never met. The morphing of the city of Bangalore, whose founding myth celebrates its human ambience, into India’s ‘Silicon Valley’ where strangers are thrown together, get entangled, and are violently pulled apart. In the plays of Girish Karnad, one of our fi nest playwrights, time, family, love, and sexual aggression resound from the mythic past into the contemporary megalopolis. The three plays collected in this volume not only span Karnad’s creative graph from his first play, Yayati, to his most recent, Boiled Beans on Toast, but also chart out the themes that have disturbed and shaped Indian drama since Independence. The volume includes an extensive introduction by theatre scholar Aparna Bhargava Dharwadker, which analyses Karnad's work in the context of modern Indian drama.
Girish Karnad explores the friction between ancient mythic structures and the rapid modernization of the Indian social landscape. Through three distinct plays, the author examines the psychological burdens of familial duty, the inevitability of aging, and the alienation inherent in urban expansion. The narrative framework shifts from the legendary past of kings to the claustrophobic anxieties of middle-class domesticity and the fragmented reality of a tech-driven metropolis. Karnad utilizes these varied settings to challenge the characters' perceptions of identity and their place within a changing society.
Readers and critics frequently highlight Karnad’s ability to bridge the gap between traditional Indian storytelling and Western dramatic forms. Discussion often centers on the playwright's sharp observation of human behavior when confronted with rapid societal shifts. Many reviewers note that the plays effectively balance intimate character studies with broader critiques of national identity. The inclusion of an extensive introduction is often cited as a significant aid for those seeking to understand the historical significance of these works within the canon of modern Indian theatre.
Page Count:
296
Publication Date:
2021-04-04
Publisher:
Oxford University Press
ISBN-10:
0190129182
ISBN-13:
9780190129187
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