This book investigates the complex relationship between art history, aesthetics, and the broader field of visual culture. It addresses advanced students, graduate students, and professionals by exploring current debates and in-depth methodological issues in defining and understanding visuality across different historical periods. The essays examine diverse topics, from early modern picture viewing and Renaissance architectural perceptions to contemporary discussions on the relevance of painting.

The book is presented as a valuable resource for advanced students and professionals, offering both an overview of current debates and detailed methodological investigations. Its scope, ranging from early modern art to contemporary discussions, suggests a comprehensive approach to the study of visual culture. The collection of essays aims to engage readers with diverse historical perspectives on defining and understanding visuality.