
A vivid, engaging account of the artists and artworks that sought to make sense of America's first total war, Grand Illusions takes readers on a compelling journey through the major historical events leading up to and beyond US involvement in WWI to discover the vast and pervasive influence of the conflict on American visual culture. David M. Lubin presents a highly original examination of the era's fine arts and entertainment to show how they ranged from patriotic idealism to profound disillusionment. In stylishly written chapters, Lubin assesses the war's impact on two dozen painters, designers, photographers, and filmmakers from 1914 to 1933. He considers well-known figures such as Marcel Duchamp, John Singer Sargent, D. W. Griffith, and the African American outsider artist Horace Pippin while resurrecting forgotten artists such as the mask-maker Anna Coleman Ladd, the sculptor Gertrude Vanderbilt Whitney, and the combat artist Claggett Wilson. The book is liberally furnished with illustrations from epoch-defining posters, paintings, photographs, and films. Armed with rich cultural-historical details and an interdisciplinary narrative approach, David Lubin creatively upends traditional understandings of the Great War's effects on the visual arts in America.
This work investigates how the First World War fundamentally reshaped American visual culture, transitioning from patriotic fervor to widespread disillusionment. David M. Lubin, a professor of art, utilizes a broad interdisciplinary framework to analyze how fine arts, film, and design reflected the societal shifts caused by the conflict. By examining the output of various artists between 1914 and 1933, the author argues that the war acted as a catalyst for modern aesthetic sensibilities and cultural identity in the United States.
What You Will Find
Scope Limits
Scholars and critics recognize this text as a significant contribution to the study of American modernism and the cultural history of the Great War. Readers frequently note the accessibility of the prose despite the academic rigor and the depth of the visual analysis provided throughout the chapters.
Page Count:
380
Publication Date:
2016-01-01
Publisher:
Oxford University Press
ISBN-10:
0190218630
ISBN-13:
9780190218638
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