
George Platt Lynes: The Daring Eye is a life of the gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s to 1955. From age 18, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. Intending to pursue a literary and small press publishing career, Lynes also began photographing authors like Stein, Jean Cocteau, André Gide, and Colette. Soon, he turned exclusively to photography, establishing himself as one of the premier fashion photographers in the Condé Nast stable, documenting the early ballets of George Balanchine, and pursuing his private obsession with seductive images of young male nudes almost never published in his time. Lynes's private life was as glamorous and theatrical as his images with their brilliant studio lighting and dramatic Surrealist set-ups. Barely out his teens, he met the publisher Monroe Wheeler who was already in a relationship with the emerging expatriate novelist Glenway Wescott. The peripatetic threesome maintained a polyamorous connection that lasted some 15 years. Their New York apartment became a mecca for elegant cocktail and name-dropping dinner parties. Their ménage-à-trois complicates our understanding of the pre-Stonewall gay "closet." This biography, drawing upon intimate letters and an unpublished memoir of Lynes's life by his brother, writer and editor Russell Lynes, paints a portrait of the emerging influence of gays and lesbians in the visual, literary, and performing arts that defined transatlantic cosmopolitan culture and presaged later gay political activism.
This biography investigates the life and professional trajectory of George Platt Lynes, examining how his work as a photographer intersected with the development of mid-twentieth-century transatlantic culture and the evolution of gay identity. Allen Ellenzweig utilizes primary source materials, including intimate correspondence and an unpublished memoir by the subject's brother, Russell Lynes, to reconstruct the photographer's career. The text argues that Lynes's dual life—balancing commercial success in fashion and dance photography with private, transgressive artistic pursuits—offers a unique lens through which to view the pre-Stonewall era. By situating Lynes within the social circle of Monroe Wheeler and Glenway Wescott, the author explores the influence of queer figures on the broader artistic landscape of the time.
What You Will Find
Scope Limits
Critics and historians recognize this work as a significant contribution to the study of twentieth-century photography and queer cultural history. Readers frequently note the balance between the author's meticulous archival research and the narrative accessibility of the subject's complex personal life.
Page Count:
659
Publication Date:
2021-01-01
Publisher:
Oxford University Press
ISBN-10:
0190219688
ISBN-13:
9780190219680
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