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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work investigates the interconnectedness of opera and drama, exploring their theoretical underpinnings and historical development. Richard Wagner, a pivotal figure in 19th-century opera, presents his philosophical and aesthetic theories on the nature of music drama. The text delves into the relationship between music, poetry, and stagecraft, arguing for a unified art form. It examines the historical evolution of these elements and their impact on dramatic expression, drawing on philosophical concepts to support his arguments.
This seminal work by Richard Wagner is recognized for its significant contribution to musicology and aesthetic theory. Scholars acknowledge its foundational role in understanding Wagner's operatic innovations and his concept of the total work of art. The text is considered essential for those studying the history of opera, music drama, and the intersection of arts and philosophy. Its enduring relevance lies in its comprehensive exploration of the theoretical and historical dimensions of musical theater.
Page Count:
464
Publication Date:
2015-08-08
Publisher:
Creative Media Partners, LLC
ISBN-10:
1297573617
ISBN-13:
9781297573613
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