A public display of undergarments threatens to ruin a bureaucrat and his wife, igniting a scandal that attracts opportunistic suitors. Theo Maske, a rigid and morally upright official, is horrified when his wife, Louise, accidentally drops her underpants at a royal parade. He fears social ruin and financial destitution, but his anxieties are soon overshadowed by the arrival of men eager to rent a room in their home, ostensibly for lodging but truly to pursue Louise. The ensuing chaos forces the characters to confront societal obsessions with fame, rigid gender roles, and the pervasive influence of sexuality.

This adaptation of Carl Sternheim's classic farce is noted for its sharp wit and comedic timing, offering a contemporary take on enduring themes. Reviewers have highlighted Steve Martin's skillful reinvention of the material, preserving the original's satirical edge while making it accessible to modern audiences. The play's exploration of societal obsessions, from fame to sexuality, is often praised for its insightful commentary. Its farcical elements and character-driven humor are frequently cited as reasons for its success in generating laughter and provoking thought.