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Elizabeth Robins was born in America, but spent much of her time in England, returning to the United States for long visits. She started her career as an actress, her search for serious parts for women resulting in her being the first to play Hedda Gabler in Britain. She became a key figure in theatre management of the fin de siecle. She was also a writer of substance whose publications included polemical works, short stories and novels. One of her plays, Votes for Women! instigated suffrage drama. As a suffragette Robins worked alongside the Pankhursts in the Women's Social and Political Union. She remained an active and lifelong feminist, especially concerned with women's health issues. This new biography examines historical identities, asking how and why Elizabeth Robins chose to present herself in the ways she did at different times throughout her life. It also considers how others interpreted her, and in the process it re-evaluates the purpose of historical biography. Drawing extensively on Robins's diary, letters, drafts of novels, reviews and many other sources from her and her contemporaries' papers in the United States, Britain and elsewhere, Angela John's portrait demonstrates the multi-faceted nature of Elizabeth Robins's life. This stimulating biography also provides a fascinating study of the political and cultural periods in which Elizabeth Robins moved.
This biography investigates how Elizabeth Robins constructed her public and private identities across the shifting cultural landscapes of the late nineteenth and early twentieth centuries. Angela V. John, a historian specializing in nineteenth-century social and political history, utilizes a vast archive of personal papers to analyze the intersection of Robins's theatrical career and her political activism. The work argues that Robins's life serves as a lens through which to examine the evolving roles of women in both the United States and Britain.
What You Will Find
Experts recognize this work as a definitive account of Robins's multifaceted career, praising the author's meticulous archival research. Scholars frequently highlight the book's contribution to both theatre history and the study of transatlantic feminist movements.
Page Count:
0
Publication Date:
1995-01-01
Publisher:
Routledge
ISBN-10:
0203316355
ISBN-13:
9780203316351
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