
The first book of its kind, Gender & Rock introduces readers to how gender operates in multiple sites within rock culture, including its music, lyrics, imagery, performances, instruments, and business practices. Additionally, it explores how rock culture, despite a history of regressive gender politics, has provided a place for musicians and consumers to experiment with alternate identities and ways of being. Drawing on feminist and queer scholarship in popular music studies, musicology, cultural studies, sociology, performance studies, literary analysis, and media studies, Gender & Rock provides readers with a survey of the topics, theories, and methods necessary for understanding and conducting analyses of gender in rock culture. Via an intersectional approach, the book examines how the gendering of particular roles, practices, technologies, and institutions within rock culture is related to discourses of race, sexuality, age, and class.
This book investigates how gender functions as a foundational construct within the various institutions, performances, and cultural outputs of rock music. Mary Celeste Kearney, a scholar in media and cultural studies, synthesizes interdisciplinary research from musicology, sociology, and queer theory to provide a comprehensive framework for analyzing rock culture. The text argues that while rock has historically maintained regressive gender norms, it simultaneously functions as a site for identity experimentation and subversion.
What You Will Find
Scope Limits
Scholars and students of popular music studies identify this work as a foundational text for understanding the intersection of gender and rock culture. Readers frequently note the academic rigor and the breadth of the theoretical framework, which makes it a standard resource for university-level coursework.
Page Count:
393
Publication Date:
2017-01-01
Publisher:
Oxford University Press
ISBN-10:
0190297697
ISBN-13:
9780190297695
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