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From Mildred Pierce and Brief Encounter to Raging Bull and In the Mood for Love, this lively and accessible collection explores film culture's obsession with the past, offering searching and provocative analyses of a wide range of titles.Screening the Past engages with current debates about the role of cinema in mediating history through memory and nostalgia, suggesting that many films use strategies of memory to produce diverse forms of knowledge which challenge established ideas of history, and the traditional role of historians.Classic essays sit side by side with new research, contextualized by introductions which bring them up to date, and provide suggestions for further reading as the work of contemporary directors such as Martin Scorsese, Kathryn Bigelow, Todd Haynes and Wong Kar-wai is used to examine the different ways they deploy creative processes of memory.Pam Cook also investigates the recent history of film studies, reviewing the developments that have culminated in the exciting, if daunting, present moment. The result is a rich and stimulating volume that will appeal to anyone with an interest in cinema, memory and identity.
This volume investigates how cinema functions as a medium for constructing, mediating, and challenging historical memory through the lenses of nostalgia and creative narrative. Pam Cook, a noted scholar in film studies, synthesizes a collection of classic and contemporary essays to examine how filmmakers utilize memory as a tool to produce alternative forms of historical knowledge. The work argues that filmic representations of the past often subvert traditional historiography, positioning cinema as a critical site for exploring identity and cultural obsession.
What You Will Find
Experts and students of film theory frequently cite this collection as a vital resource for understanding the complex relationship between visual media and historical consciousness. Readers often note the accessibility of the prose, which balances rigorous academic inquiry with clear, engaging analysis of diverse cinematic texts.
Page Count:
264
Publication Date:
2004-01-01
Publisher:
Taylor & Francis Group
ISBN-10:
0203337824
ISBN-13:
9780203337820
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