
This book examines the function of repetition in the work of Walt Whitman, Wallace Stevens and John Ashbery. All three poets extensively employ and comment upon the effects of repetition, yet represent three distinct poetics, considerably removed from one another in stylistic and historical terms. At the same time, the three are engaged in a very interesting relation to each other, a relation readers tend to explain in terms of repetition, by positing Whitman and Stevens as the two alternative 'beginnings' out of which Ashbery emerges. Krystyna Mazur analyses the work of the three poets to discern patterns which may operate across a relatively broad spectrum of examples, as well as to consider the variety of ways in which repetition can structure a poetic text.
This book investigates the structural and thematic function of repetition within the poetic works of Walt Whitman, Wallace Stevens, and John Ashbery. Krystyna Mazur, an academic scholar, utilizes a comparative framework to analyze how these three distinct poets employ iterative techniques to shape their respective poetics. By examining the historical and stylistic divergence between these figures, the text argues that repetition serves as a primary mechanism for both poetic construction and the evolution of American verse. The analysis posits that Whitman and Stevens function as foundational origins from which Ashbery’s own stylistic repetition emerges.
What You Will Find
Scholars and students of American poetry frequently cite this work for its focused approach to the mechanics of verse. The text is recognized as a specialized study that provides a clear, academic perspective on the evolution of poetic form through the lens of iterative language.
Page Count:
160
Publication Date:
2006-01-01
Publisher:
Taylor & Francis Group
ISBN-10:
0203506545
ISBN-13:
9780203506547
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