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The Routledge Dance Studies Reader represents the range and diversity of writings from the 1980s and 1990s, providing contemporary perspectives on ballet, modern dance, postmodern 'movement performance' jazz, South Asian dance and Black dance. In an enlightening introduction, Alexandra Carter traces the development of dance studies internationally and surveys current debates about the methods and methodologies appropriate to the study of dance. The collection is divided into five sections, each with an editorial preface, and featuring contributions by choreographers, performers, critics and scholars of dance and related disciplinary fields. The sections address: * choreographing * performing * writing criticism * the place of dance in history and society * analysing dance works Includes selections by: Joan Acocella, Ramsey Burt, Arlene Croce, Merce Cunningham, Martha Graham, Lynn Garafola, Shobana Jeyasingh, Ted Polhemus and Yvonne Rainer.
This collection investigates the evolution and diversification of dance studies as an academic discipline during the late twentieth century. Alexandra Carter, a prominent scholar in the field, compiles a wide array of essays to establish a framework for analyzing dance through historical, social, and critical lenses. By integrating perspectives from choreographers, performers, and academics, the text argues for a multi-faceted methodology that accounts for the global and stylistic breadth of movement performance.
What You Will Find
Experts recognize this volume as a foundational text for students and researchers entering the field of dance studies. Readers frequently note the academic density of the prose and its utility as a comprehensive survey of late-twentieth-century critical debates.
Page Count:
405
Publication Date:
2004-01-01
Publisher:
Taylor & Francis Group Plc
ISBN-10:
0203753763
ISBN-13:
9780203753767
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