This book investigates the multifaceted landscape of British cinema between 1999 and 2009, exploring its commercial, artistic, and social dimensions. FitzGerald examines the institutional and financial forces shaping UK film production, alongside critical issues of genre, representation, authorship, and the broader socio-political contexts. The analysis includes the rise of co-productions, exemplified by Aardman Animation and the Harry Potter franchise, and delves into representations of social class in films like 'Red Road' and 'Love, Actually'. It also covers developments in social realism, the resurgence of British science fiction and horror, and the portrayal of ethnic groups and migrants.

The book offers a comprehensive academic survey of British cinema during a pivotal decade, examining both mainstream successes and arthouse productions. It is structured to provide a detailed understanding of the industry's economic and creative forces, alongside its engagement with social and political themes. The inclusion of specific case studies and director analyses grounds the broader theoretical discussions. This work serves as a valuable resource for students and scholars interested in the evolution of British film.