This book examines the sculptural works of Richard Serra created between 1985 and 1999, a period marked by significant developments in his artistic practice. It delves into the conceptual underpinnings and material explorations that defined his large-scale installations during these years. The publication serves as a comprehensive visual and analytical record of Serra's output, drawing on critical essays and photographic documentation.

This monograph is regarded as a significant scholarly resource for understanding Richard Serra's oeuvre during a pivotal phase of his career. The inclusion of critical essays by Hal Foster, a prominent art historian, suggests a rigorous academic approach to the subject matter. The focus on a specific timeframe allows for an in-depth analysis of thematic and material developments within Serra's sculptural practice.