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Charles Ray (born 1953) is one of America's most outstanding contemporary sculptors. Like Jeff Koons and Katharina Fritsch, he has developed a new kind of plastic figuration, as can be seen in his white-painted steel sculpture "Boy with Frog" (2009), whose recent installation on the Punta della Dogana in Venice drew a great deal of critical and popular attention. Despite its apparent naturalism, Ray's oversized figure of a nude boy frolicking animatedly, even rabidly, with the animal world, verges upon the classical. "Horse and Rider," a self-portrait of the artist on horseback (2014), likewise revives the traditional images of the horseback rider and the hero of the American West, but in a way that is decidedly anti-heroic. This volume offers a comprehensive monograph on Ray's sculptural works of recent years.
This volume presents a comprehensive examination of the recent sculptural works of Charles Ray, one of America's most prominent contemporary sculptors. The book delves into Ray's unique approach to figuration, exemplified by works such as the critically acclaimed
The book is structured as a comprehensive monograph, offering an in-depth look at Charles Ray's recent sculptural output. The collection of essays and analyses by prominent art critics suggests a scholarly approach, likely appealing to art historians, collectors, and enthusiasts of contemporary sculpture. The focus on specific, well-known works indicates an intention to provide detailed critical context for Ray's artistic contributions.
Page Count:
155
Publication Date:
2014-01-01
Publisher:
Hatje Cantz
ISBN-10:
3775737936
ISBN-13:
9783775737937
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