This publication chronicles the evolution of Tony Oursler's two-dimensional works from 1997 to 2007. The book explores Oursler's drawings, paintings, and collages as a diary of his creative process, revealing how these works serve as a foundation for his renowned video art. It delves into themes of the supernatural, mass communication, media technology's impact on the human psyche, and the artist's personal perceptions and delusions. The publication showcases a range of his two-dimensional output, including early canvas works, paintings on sculpture, collages, and videos projected onto painted panels, offering a comprehensive look at a decade of his artistic development.

This publication is presented as a comprehensive survey of Tony Oursler's two-dimensional work over a significant decade, highlighting its integral role in his artistic output. The accompanying text emphasizes Oursler's own descriptions of his drawings as a deeply personal and associative process, revealing the conceptual underpinnings of his more widely recognized video installations. The book's focus on the evolution of these works suggests an approach that values the foundational sketches and studies as much as the final pieces. It offers a detailed look at the thematic concerns and technical explorations that have defined Oursler's practice during this period.