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Through an engaged analysis of writers such as Wole Soyinka, Ola Rotimi, Niyi Osundare, and Tanure Ojaide and of African traditional oral poets like Omoekee Amao Ilorin and Mamman Shata Katsina, Abdul-Rasheed Na'Allah develops an African indigenous discourse paradigm for interpreting and understanding literary and cultural materials. Na'Allah argues for the need for cultural diversity in critical theorizing in the twenty-first century. He highlights the critical issues facing scholars and students involved in criticism and translation of marginalized texts. By returning the African knowledge system back to its roots and placing it side by side with Western paradigms, Na'Allah has produced a text that will be required reading for scholars and students of African culture and literature. It is an important contribution to scholarship in the domain of mobility of African oral tradition, and on African literary, cultural and performance discourse.
This work investigates the necessity of establishing an indigenous African discourse paradigm to interpret literary and cultural materials in the twenty-first century. Abdul-Rasheed Na'Allah, a scholar of African literature and oral tradition, utilizes a comparative framework that juxtaposes African knowledge systems with Western critical theories. By examining the works of prominent writers and traditional oral poets, the author argues that current critical methodologies must incorporate cultural diversity to effectively address the complexities of marginalized texts.
What You Will Find
Scholars in the field of African studies identify this text as a significant contribution to the discourse on the mobility of oral traditions and performance studies. Readers frequently note the academic rigor of the author's approach to decolonizing literary theory.
Page Count:
183
Publication Date:
2010-01-01
Publisher:
Routledge
ISBN-10:
0203863585
ISBN-13:
9780203863589
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