Author Description

In This Significantly Expanded New Edition Of His Acclaimed Exploration Of The Relation Between Philosophy And Film, Stephen Mulhall Broadens The Focus Of His Work From Science Fiction To The Espionage Thriller And Beyond. The First Part Of The Book Discusses The Four Alien Movies. Mulhall Argues That The Sexual Significance Of The Aliens Themselves, And Of Ripley's Resistance To Them, Takes Us Deep Into The Question Of What It Is To Be Human. These Four Chapters Develop A Highly Original And Controversial Argument That Films Themselves Can Philosophize - A Claim Mulhall Expands Upon And Defends In Part Two Of This Book, Before Applying His Interpretative Model To Another Sequence Of Contemporary Hollywood Movies: The Mission: Impossible Series. A New Chapter Is Devoted To Each Of The Three Films In That Series, Discussing Them In The Context Of Other Films By The Relevant Directors. In This Discussion, The Nature Of Television Becomes As Central A Concern As The Nature Of Cinema; And This Shift In Genre Also Makes Room For A Detailed Reading Of Spielberg's Minority Report. On Film, Second Edition Is Essential Reading For Anyone Interested In Philosophy, Film Theory And Cultural Studies, And In The Way Philosophy Can Enrich Our Understanding Of Cinema.--book Jacket. Kane's Son, Cain's Daughter: Ridley Scott's Alien -- Making Babies: James Cameron's Aliens -- Mourning Sickness: David Fincher's Alien 3 -- The Monster's Mother: Jean-pierre Jeunet's Alien Resurrection -- Film As Philosophy: The Priority Of The Particular -- Precrime, Precognition, And The Pre-reflective Cogito: Steven Spielberg's Minority Report -- The Impersonation Of Personality: Brian De Palma's Mission: Impossible -- The Burden Of Sex: John Woo's Mission: Impossible Ii -- An Accelerated Mutator: J.j. Abrams's Mission: Impossible Iii. Stephen Mulhall. Includes Bibliographical References (p. 266-267) And Index. Includes Filmography: P. 265.