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Rock and roll's death has been forecast nearly since its birth; the country song "The Death of Rock and Roll" appeared in September 1956, showing that the music had already outraged a more conservative listening audience. Is Rock Dead? sets out to explore the varied and sometimes conflicting ways in which the death of rock has been discussed both within the discourse of popular music and American culture. If rock is dead, when did it die? Who killed it? Why do rock journalists lament its passing? Has its academic acceptance stabbed it in the back or resuscitated an otherwise lifeless corpse? Why is rock music the music that conservatives love to hate? On the other side of the coin, how have rock's biggest fans helped nail shut the coffin? Does rock feed on its own death-and-rebirth? Finally, what signs of life are there showing that rock in fact is surviving?Is Rock Dead? will appeal to all those who take seriously the notion that rock is a serious musical form. It will appeal to students of popular music and culture, and all those who have ever spun a 45, cranked up the radio, or strummed an air guitar.
This book investigates the recurring cultural narrative surrounding the purported death of rock and roll and the motivations behind its persistent obituary. Kevin J. H. Dettmar, a scholar of popular music and culture, examines the discourse surrounding rock music's perceived decline from its inception in the mid-1950s to the present day. By analyzing the rhetoric of critics, fans, and academics, the author explores whether the genre's death is a genuine phenomenon or a cyclical trope used to define the boundaries of musical legitimacy. The text evaluates how institutional acceptance and fan obsession contribute to the ongoing debate about the genre's vitality.
What You Will Find
Experts and music scholars recognize this work as a foundational text for understanding the intersection of popular music and cultural criticism. Readers frequently note the analytical depth of the prose, which provides a structured framework for interpreting the often-emotional debates surrounding the genre's status.
Page Count:
184
Publication Date:
2005-01-01
Publisher:
Taylor and Francis
ISBN-10:
0203957962
ISBN-13:
9780203957967
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