This book explores the formative sculptural period of Joseph Slusky from 1965 to 1975. The artist draws inspiration from a wide range of visual experiences, transforming them into sculptural works. His early pieces, characterized by automotive paint surfaces, reflect his teenage fascination with the futuristic designs seen at Los Angeles automotive shows. An architectural background further informs his work with architectonic and structural references, while his past in gymnastics contributes a gestural, figurative dimension.

This monograph offers insight into the early development of Joseph Slusky's sculptural practice. It details the diverse influences that shaped his work during the 1965-1975 decade, from fine art movements to personal experiences. The book highlights the integration of automotive aesthetics, architectural principles, and the physicality of gymnastics into his artistic output.