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This book is about how music "in a key" is composed. Further, it is about how such music was composed when it was no longer compulsory to do so, starting a few years before the First World War. In an eclectic journey through the history of compositional technique, Daniel Harrison contends that the tonal system did not simply die out with the dawn of twentieth century, but continued to supplement newer techniques as a compelling means of musical organization, even into current times. Well-known art music composers such as Bartok, Hindemith, Prokofiev, and Messiaen are represented alongside composers whose work moves outside the standard boundaries of art music: Leonard Bernstein, Murice Duruflé, Frank Martin, Xiaoyong Chen. Along the way, the book attends to military bugle calls, a trailer before a movie feature, a recomposition of a famous piece by Arnold Schoenberg, and the music of Neil Diamond, David Shire, and Brian Wilson. A celebration of the awesome variety of musical expressions encompassed in what is called tonal music, Pieces of Tradition is a book for composers seeking ideas and effects, music theorists interested in its innovations, and all those who practice the analysis of composition in all its modern and traditional variations.
This book investigates the persistence and evolution of tonal music systems in compositions created after the decline of traditional tonality as a compulsory practice. Daniel Harrison, a scholar in music theory, utilizes a broad historical and stylistic framework to argue that tonality remained a functional and vital tool for musical organization throughout the twentieth century and into the present. By examining a diverse array of works, he demonstrates how tonal structures were adapted and integrated alongside newer compositional techniques.
What You Will Find
Scope Limits
Experts and music theorists recognize this work as a significant contribution to the study of post-tonal and neo-tonal compositional practices. Readers frequently note the academic density of the prose, which is intended for those with a background in music theory and formal analysis.
Page Count:
206
Publication Date:
2016-01-01
Publisher:
Oxford University Press
ISBN-10:
019060753X
ISBN-13:
9780190607531
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