Gordon Rogoff challenges conventional wisdom in theatre criticism from 1962 to 1986. Rogoff, a prominent critic and academic, presents a collection of his essays that dissect the evolving landscape of theatre during a transformative period. His work engages with the social, political, and artistic forces that shaped theatrical production and reception, offering a critical lens on the relationship between performance and society. The essays explore the power dynamics inherent in theatrical critique and the responsibility of critics in a changing world.

This collection is likely to be valued by scholars and practitioners of theatre history and criticism for its retrospective view on a significant period. Rogoff's critical perspective, as suggested by the title, likely offers a provocative and insightful look at the state of theatre and its commentary. The essays are expected to provide a dense, analytical engagement with the subject matter, appealing to a readership interested in the intellectual underpinnings of theatre criticism.