This volume collects the critical writings of George Jean Nathan, a pivotal figure in American letters and the preeminent drama critic of his time. Nathan, known for his wit and sharp observations, reviewed the theatrical landscape of the 1943-44 season. His work, presented here with introductions by Charles Angoff, offers a penetrating, often cynical, yet always insightful perspective on the plays, performances, and the broader cultural context of the era.

As a collection of George Jean Nathan's work, this book offers a window into mid-20th century American theatre through the eyes of a highly regarded critic. The reprinted essays are expected to showcase Nathan's signature wit and incisive commentary, providing historical context and critical analysis of the era's dramatic productions. The inclusion of introductions by Charles Angoff further enhances the scholarly value, offering contemporary insights into Nathan's legacy and the plays he reviewed. This volume serves as a valuable resource for students of theatre history and criticism.