This volume compiles issues from the 1958 run of the Dance Observer, a periodical dedicated to the art form. It presents a snapshot of dance criticism, commentary, and news from a pivotal year in the mid-20th century. The collection offers insights into the choreographic innovations, performance reviews, and theoretical discussions that shaped the dance landscape of the era, featuring contributions from prominent figures in the field.

This compilation serves as a valuable historical document for scholars and enthusiasts of dance history. The inclusion of prominent contributors and the focus on a specific year offer a concentrated view of the period's dance discourse. The collection's value lies in its archival nature, providing primary source material for understanding the evolution of dance criticism and practice.