This issue of the Dance Observer, Volume 23, Number 2, from February 1956, serves as a primary source document for the study of dance history and criticism during the mid-20th century. It presents a collection of articles, reviews, and commentary from leading figures in the dance world, offering insights into the performances, trends, and personalities that shaped the art form at that time. The publication aims to document and analyze the contemporary dance scene for its readership.

As a periodical from 1956, this issue of Dance Observer is a valuable historical document for researchers and enthusiasts of dance history. Its content provides direct access to contemporary critical perspectives and performance reviews of the era. The inclusion of well-known contributors suggests a publication of significant standing within the dance community of its time, offering a snapshot of critical discourse.