This book explores the evolution of Constructivist art in Britain from 1951 to the present day. It examines the dynamic abstract and constructed art created and exhibited over a seventy-year period, encompassing reliefs, sculpture, kinetic and participatory art, painting, and printmaking. The publication details the ongoing dialogue and collaboration between artists across generations who have continually reinvented Constructivist art through radical approaches. The content is drawn from the collection at the Sainsbury Centre, University of East Anglia.

The book celebrates a significant seventy-year period of Constructivist art in Britain, highlighting the continuous reinvention of the movement through dialogue and collaboration. It draws from the esteemed collection of the Sainsbury Centre, University of East Anglia, showcasing a diverse range of media including sculpture, painting, and kinetic art. The comprehensive list of featured artists underscores the breadth and depth of the Constructivist influence in the British art scene. This publication serves as a testament to the enduring legacy and dynamic evolution of abstract and constructed art.