This exhibition traces the evolution of the American romantic tradition in painting over a century and a half. It examines a diverse range of styles and artists, from the landscape evocations of George Inness to the urban realism of Edward Hopper and the abstract expressions of Barnett Newman, showcasing how artists grappled with the concept of a 'natural paradise' in America. The book explores the shifting interpretations of this theme, reflecting broader cultural and artistic movements of the period.

This exhibition catalog is regarded as a significant contribution to the study of American art history, particularly its engagement with the romantic tradition. Critics and scholars have noted its comprehensive scope, covering a pivotal 150-year period and a wide array of influential artists. The catalog's strength lies in its detailed examination of how American painters interpreted the idea of a 'natural paradise,' offering insights into the nation's evolving identity and artistic expression.