
A new biography of one of the key composers of 20th-century American popular song and jazz, Eubie Blake: Rags, Rhythm and Race illuminates Blake's little-known impact on over 100 years of American culture. A gifted musician, Blake rose from performing in dance halls and bordellos of his native Baltimore to the heights of Broadway. In 1921, together with performer and lyricist Noble Sissle, Blake created Shuffle Along which became a sleeper smash on Broadway eventually becoming one of the top ten musical shows of the 1920s. Despite many obstacles Shuffle Along integrated Broadway and the road and introduced such stars as Josephine Baker, Lottie Gee, Florence Mills, and Fredi Washington. It also proved that black shows were viable on Broadway and subsequent productions gave a voice to great songwriters, performers, and spoke to a previously disenfranchised black audience. As successful as Shuffle Along was, racism and bad luck hampered Blake's career. Remarkably, the third act of Blake's life found him heralded in his 90s at major jazz festivals, in Broadway shows, and on television and recordings.Tracing not only Blake's extraordinary life and accomplishments, Broadway and popular music authorities Richard Carlin and Ken Bloom examine the professional and societal barriers confronted by black artists from the turn of the century through the 1980s. Drawing from a wealth of personal archives and interviews with Blake, his friends, and other scholars, Eubie Blake: Rags, Rhythm and Race offers an incisive portrait of the man and the musical world he inhabited.
This biography investigates how Eubie Blake navigated the racial and professional barriers of 20th-century American entertainment to become a foundational figure in jazz and Broadway history. Authors Ken Bloom and Richard Carlin, both established authorities on Broadway and popular music, utilize a wealth of personal archives and primary source interviews to construct a comprehensive portrait of Blake. Their work argues that Blake's career serves as a lens through which to view the broader evolution of black representation and artistic viability in the American theater industry.
What You Will Find
Scope Limits
Experts and historians recognize this work as a significant contribution to the study of African American contributions to popular music and theater. Readers frequently note that the authors provide a balanced view of Blake's professional triumphs and the systemic racism that hindered his career.
Page Count:
472
Publication Date:
2020-01-01
Publisher:
Oxford University Press
ISBN-10:
0190635959
ISBN-13:
9780190635954
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