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Creativities, Media, And Technology In Music Learning And Teaching Is One Of Five Paperback Books Derived From The Foundational Two-volume Oxford Handbook Of Music Education. Designed For Music Teachers, Students, And Scholars Of Music Education, As Well As Educational Administrators And Policy Makers, This Fifth Book In The Set Comprises Three Complementary Sections: Musical Creativity As Practice; Music Teaching And Learning Through Technology; And The Interplay Of Media, Music, And Education. The First Section Reviews Notions Of Musical Creativity, Examining Practice-based Perspectives To Support And Develop Understanding Of The Diverse Types Of Creativity Found Within Music Education Practice Across The Globe. In The Second Section, Authors Explore The Essential Role Of Technology In Musical Discourse And In Various Forms Of Musical Learning, Even As Technology Continually Evolves And The Needs And Possibilities Continue To Rapidly Change. The Third Section Provokes Readers To Assess Their Own Thinking About The Transformative Changes Occurring Within The Discipline As A Result Of Advances In Media, And The Increasing Infiltration Of Media Into All Aspects Of Life, The Classroom, And Music Making. Contributors Andrew R. Brown, Pamela Burnard, Bernadette Colley, Ian Cross, Rokus De Groot, Steven C. Dillon, Randi Margrethe Eidsaa, David G. Hebert, Evangelos Himonides, Neryl Jeanneret, Ailbhe Kenny, Andrew King, Eleni Lapidaki, Felicity Laurence, Samuel Leong, Bo Wah Leung, Alagi Mbye, Gary E. Mcpherson, Ross Purves, Tal-chen Rabinowitch, S. Alex Ruthmann, Eva Sæther, Jonathan Savage, Reza Shayesteh, Petros Stagkos, Matthew D. Thibeault, Evan S. Tobias, Carole Waugh, Graham F. Welch
This volume investigates how the integration of digital technologies and evolving media landscapes necessitates a re-evaluation of pedagogical practices within music education. Editors Gary E. McPherson and Graham F. Welch, both prominent figures in music education research, curate a collection of essays that synthesize global perspectives on creative practice. The text argues that music educators must adapt to the rapid infiltration of digital tools to remain relevant in a changing cultural environment.
What You Will Find
Scope Limits
Experts recognize this volume as a critical component of the broader Oxford Handbook series, providing a specialized focus for practitioners and scholars. Readers frequently note the academic density of the prose, which serves as a foundational resource for those studying the intersection of modern media and music pedagogy.
Page Count:
288
Publication Date:
2018-01-01
Publisher:
Oxford University Press
ISBN-10:
0190674571
ISBN-13:
9780190674571
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