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Jan Dismas Zelenka's Missa Dei Filii is the second of three transmitted Missae ultimae, but consists, like other short masses of the 18th century, solely of a Kyrie and Gloria. Nevertheless, it is an extensive work, and the lengthy, multi-part Gloria is considered as the most impressive Gloria setting that Zelenka created in his over 20 masses. (What remains to be answered is whether Zelenka had originally planned to compose a complete mass).Matthias Grünert's piano vocal score is based on the critical edition of the score edited by Paul Horn in volume 100 of the Erbe Deutscher Musik, in which the gaps in the musical text found in the autograph towards the end of the Gloria were cautiously supplemented."Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us." (Schweizerische Musikzeitung)"Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colourfully than in the corresponding compositions by Bach." (Die Welt)
This work investigates the structural and stylistic significance of Jan Dismas Zelenka's Missa Dei Filii, ZWV 20, within the context of 18th-century liturgical composition. The text serves as a critical piano vocal score, edited by Matthias Grünert and based on the scholarly research of Paul Horn, to provide a performable version of this complex Baroque mass. It addresses the historical ambiguity surrounding the work's incomplete nature while highlighting its status as a pinnacle of Zelenka's compositional output.
What You Will Find
Critics and scholars regard Zelenka as a highly distinctive and experimental figure whose choral works rival those of his contemporaries in complexity and color. The material suggests that this edition is an essential resource for performers and researchers seeking to engage with the nuanced, often surprising textures of 18th-century Baroque sacred music.
Page Count:
80
Publication Date:
2000-01-01
Publisher:
BREITKOPF
ISBN-10:
0004185048
ISBN-13:
9780004185040
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