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Exploring the history behind the longest-running and arguably the most influential natural history series in the world, this investigation delves into the art archives of the New Naturalist books. With more than 100 volumes published over 60 years, this examination explains how the installments have risen to a level of collectability. Prints of awe-inspiring artwork are featured throughout, offering a unique insight into the methods of former artist Robert Gillmor, whose approach to each subject has revealed his distinctive style and craft. Findings from the Clifford and Rosemary Ellis archive are also discussed, providing considerable information on how the older covers were developed, approved or rejected, and proofed. Presenting a fascinating perspective of how these eminent designs came to be, this is an essential reference for those intrigued by the frantic workings behind a seemingly serene collection.
This work investigates the historical development, artistic evolution, and enduring cultural significance of the New Naturalist book series. Peter Marren, a noted authority on natural history writing, utilizes archival research and visual analysis to document the collaborative processes between authors, editors, and artists that defined the series' aesthetic identity over six decades. The text argues that the series' success is rooted as much in its distinctive visual language as in its scientific contributions.
What You Will Find
The text provides a comprehensive and methodical examination of the intersection between scientific illustration and commercial book design. It serves as a valuable resource for those interested in the history of British publishing and the evolution of natural history aesthetics.
Page Count:
288
Publication Date:
2009-01-01
Publisher:
HarperCollins UK
ISBN-10:
0007284713
ISBN-13:
9780007284719
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