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Focusing on the art of self-portraiture, this effortlessly engaging exploration of the lives of artists sheds fascinating light on some of the most extraordinary portraits in art history. Self-portraits catch your eye. They seem to do it deliberately. Walk into any art gallery and they draw attention to themselves. Come across them in the world's museums and you get a strange shock of recognition, rather like glimpsing your own reflection. For in picturing themselves artists reveal something far deeper than their own physical looks: the truth about how they hope to be viewed by the world, and how they wish to see themselves. In this beautifully written and lavishly illustrated book, Laura Cumming, art critic of the Observer, investigates the drama of the self-portrait, from Durer, Rembrandt and Velazquez to Munch, Picasso, Warhol and the present day. She considers how and why self-portraits look as they do and what they reveal about the artist's innermost sense of self – as well as the curious ways in which they may imitate our behaviour in real life.
How does the act of self-portraiture function as a bridge between an artist's public persona and their private sense of identity? Laura Cumming, an established art critic for The Observer, utilizes her expertise to examine the psychological and historical dimensions of the self-portrait. By analyzing works from masters like Rembrandt and Velazquez alongside modern figures like Warhol, she argues that these images serve as deliberate constructions of how an artist desires to be perceived by history.
What You Will Find
The text provides a scholarly yet accessible investigation into the mechanics of artistic identity, suitable for both art historians and general readers. Its focus on the intersection of biography and visual technique offers a clear framework for understanding why artists choose to represent themselves in specific ways.
Page Count:
320
Publication Date:
2014-01-01
Publisher:
William Collins
ISBN-10:
0007391943
ISBN-13:
9780007391943
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