Art, an industrial saboteur, finds his loyalties and sanity tested when his efforts to undermine a rival time-zone tribe spiral into a personal crisis. As an interface designer for a telecommunications mega-corp, Art navigates a world where global connectivity has fractured humanity into tribes defined by time zones rather than geography. He operates within a high-stakes environment of constant digital surveillance and corporate warfare, where his objective is to sabotage the Greenwich Mean Tribe. The narrative, delivered through a cynical and sharp first-person perspective, tracks his descent from a confident operative to a man stranded on the edge of ruin, forced to confront the fragility of his own social and emotional reality.

This work is often characterized as a prescient exploration of the social consequences of constant digital connectivity. The narrative style is noted for its rapid pacing and biting wit, which effectively mirrors the frantic nature of the world it describes. Readers frequently highlight the author's ability to blend speculative technology with recognizable human anxieties about belonging and status. The book is regarded as a significant entry in the author's bibliography, offering a cynical yet insightful look at how technology reshapes human social structures.