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Contemporary Art Can Be Baffling And Beautiful, Provocative And Disturbing. This Pioneering Book Presents A New Look At The Controversial Period Between 1945 And 2000, When Art And Its Traditional Forms Were Called Into Question. It Focuses On The Relationship Between American And European Art, And Challenges Previously Held Views About The Origins Of Some Of The Most Innovative Ideas In Art Of This Time. Major Artists Such As Jackson Pollock, Jasper Johns, Yves Klein, Andy Warhol, Louise Bourgeois, Cindy Sherman, And Damien Hirst Are All Discussed, As Is The Art World Of The Last Fifty Years. Important Trends Are Also Covered Including Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, And The Art Of The Nineties.
This book investigates the evolution of contemporary art from 1945 to 2000, questioning how traditional forms were dismantled and redefined during this period. David A. Hopkins, a scholar of art history, utilizes a comparative framework to analyze the interplay between American and European artistic movements. By re-evaluating the origins of innovative practices, the text challenges established narratives regarding the development of post-war visual culture.
What You Will Find
Scope Limits
Experts frequently cite this work as a foundational text for students seeking to understand the transition from modernism to postmodernism. Readers often note the academic rigor of the prose, which provides a structured overview of complex art historical shifts.
Page Count:
288
Publication Date:
2000-01-01
Publisher:
Oup Oxford
ISBN-10:
0191037095
ISBN-13:
9780191037092
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