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This book (published in German by Bärenreiter in 1988 and now available in English translation for the first time) is a comprehensive guide to the genesis, transmission, structure, meaning, and performance considerations of Bach's St John Passion. The St John Passion is one of Bach's most fascinating works. Its text demonstrates a profound understanding of St John's Gospel. The musical design of the choruses with their numerous interrelationships is quite unique and requires some explanation. The fact that the Passion exists in four different versions leads Dürr to ask which changes were intentional and which were the result of practical constraints or of orders issued by church authorities. The introduction to the work is preceded by a detailed account of its genesis and transmission, and the uniquely complicated nature of the sources. The discussion of the Passion itself is based on the assumption that what Bach wanted to say to the Leipzig congregation on Good Friday was designed to be understood in verbal and musical terms. Number symbolism, 'eye music', and encrypted information do not form the essence of what Bach was trying to communicate to us.
This book investigates the complex origins, structural evolution, and theological intent behind Johann Sebastian Bach's St John Passion. Alfred Dürr, a renowned Bach scholar, utilizes his extensive expertise in source criticism to analyze the four distinct versions of the work. He argues that the composition was primarily designed for the immediate comprehension of the Leipzig congregation, prioritizing clear communication over esoteric symbolism.
What You Will Find
Scope Limits
Experts regard this work as a foundational text for understanding the editorial and historical complexities of Bach's choral music. Readers frequently note the academic density of the prose, which provides a rigorous framework for both musicologists and performers.
Page Count:
200
Publication Date:
2001-01-01
Publisher:
Oxford University Press
ISBN-10:
0191588717
ISBN-13:
9780191588716
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