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'There's no baseness I wouldn't commit for Jeffrey Aspern's sake.' The poet Aspern, long since dead, has left behind some private papers. They are jealously guarded by an old lady, once his mistress and muse, a recluse in an old palazzo in Venice, tended by her ingenuous niece. A predatory critic is determined to seize them. What can he make of the younger woman? What are his motives? What are the papers worth and what is he prepared to pay? In all four stories collected here, including 'The Death of the Lion', 'The Figure in the Carpet', and 'The Birthplace', the figure of the artist is central. Extraordinarily prophetic, James explores the emergent new cult of the writer as celebrity, and asks, who cares about the work for itself? Can the man behind the artist ever truly be known, and does our knowledge explain the act of creativity? This new edition includes extracts from James's prefaces and notebooks which shed light on the genesis of the stories. About the series: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
A predatory critic attempts to manipulate a reclusive elderly woman and her niece to acquire the private, unpublished papers of a deceased poet. The protagonist, driven by professional obsession and the desire to possess the intimate history of a literary icon, navigates the decaying atmosphere of a Venetian palazzo. He faces the logical constraints of his own moral ambiguity and the protective, secretive nature of the women who guard the poet's legacy. The narrative framework utilizes a detached, analytical perspective to examine the tension between the public persona of an artist and the private reality of their life.
Readers and critics frequently highlight the psychological acuity with which James dissects the motivations of his characters. Discussion often centers on the moral complexity of the narrator, whose pursuit of the papers raises questions about the boundaries of intellectual curiosity. The atmosphere of the Venetian setting is often cited as a crucial element that mirrors the stagnation and secrecy of the plot. Critics appreciate the collection for its prophetic insight into the modern obsession with the private lives of public figures. The balance between the narrative action and the philosophical inquiry into the nature of creativity remains a primary focus for those studying this work.
Page Count:
288
Publication Date:
2013-01-01
Publisher:
Oup Oxford
ISBN-10:
0191637912
ISBN-13:
9780191637919