
As an Amazon Associate and affiliate partner, Menrva Books earns from qualifying purchases. Learn more
This Volume Presents A New Collection Of Essays, All Of Them Dealing With Music, By Jerrold Levinson, One Of The Most Prominent Philosophers Of Art Today. It Follows In The Line Of Levinson's Earlier Collections, Music, Art, And Metaphysics (1990), The Pleasures Of Aesthetics (1996), And Contemplating Art (2006), And Is Representative Of The Most Stimulating Work Being Done Under The Rubric Of Analytic Aesthetics. The Essays, Which Are Wide-ranging, Should Appeal To Aestheticians, Philosophers, Musicologists, Music Theorists, Music Critics And Music Lovers Of All Kinds. Three Of The Twelve Essays Comprising The Volume Have Not Previously Been Published, And In Somewhat Of A Departure For Levinson, Four Of The Essays Focus On Music In The Jazz Tradition.
This volume investigates the ontological, aesthetic, and expressive nature of music through the lens of analytic philosophy. Jerrold Levinson, a prominent philosopher of art, utilizes rigorous logical frameworks to examine how listeners engage with musical works, the definition of musical performance, and the specific aesthetic properties inherent in both classical and jazz traditions.
What You Will Find
Scope Limits
Experts recognize this collection as a significant contribution to contemporary analytic aesthetics, noting the author's ability to bridge the gap between abstract philosophy and practical musicology. Readers frequently highlight the academic density of the prose, which is intended for scholars and serious students of the philosophy of art.
Page Count:
176
Publication Date:
2015-01-01
Publisher:
Oup Oxford
ISBN-10:
0191648426
ISBN-13:
9780191648427
No comments yet. Be the first to share your thoughts!