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This is the most complete and authoratative collection of the works of Hart Crane ever published in paperback. Included are his three major collections of poetry: White Buildings, The Bridge, and Key West, as well as a number of his uncollected poems; a selection from his letters and prose; and Waldo Frank's Introduction to the 1958 edition of Crane's poetry.
This collection captures the intense, fractured, and visionary struggle of a modernist poet attempting to reconcile the industrial landscape of twentieth-century America with the enduring power of myth. Crane’s objective is to synthesize the chaotic sensory input of urban life into a cohesive, transcendent aesthetic experience. He faces the opposing forces of personal alienation, societal fragmentation, and the inherent limitations of language to capture the sublime. The work is presented through a diverse framework, alternating between the dense, metaphorical structure of his major poetic sequences and the more direct, vulnerable communication found in his personal correspondence and critical prose.
Discussion often centers on Crane's unique use of logic-defying metaphors and his ability to compress complex imagery into tight, rhythmic lines. Readers frequently highlight the stark contrast between the dense, often opaque nature of his poetry and the clarity found in his letters. Critics emphasize his role as a pivotal figure in American modernism who pushed the boundaries of traditional form. The collection is widely regarded as a primary resource for those seeking to understand the evolution of his creative process and his thematic preoccupation with the American identity. Many readers find that the inclusion of his prose and letters provides a necessary anchor for interpreting his more abstract poetic works.
Page Count:
320
Publication Date:
1972-03-30
Publisher:
Oxford University Press
ISBN-10:
0192125540
ISBN-13:
9780192125545
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