
Jack Adrian's first collection of E.F. Benson stories, Desirable Residences, marked the return of what Kirkus Reviews hailed as "the acid-tongued author of the peerless Lucia novels." After slipping into obscurity upon his death in 1940, Benson has undergone a tremendous revival, thanks to the work of Adrian and popular television adaptations of his Mapp and Lucia stories. Now comes a second collection of Benson's delightful short stories, some of which are newly discovered, and most of which have never been published in book form.Fine Feathers captures the full expanse of Benson's long career, with stories ranging from 1894 to 1931. Here we find all of Benson's remarkably satirical wit, expressed in a delightful variety of stories. There are frothy comedies, tales of the supernatural, and biting stories of calamitous social gaffes, devastated pretensions, and clever swindles. These rare stories capture his skillful characterizations as well: one sequence of tales feature Amy Bondham, a figure very close to the celebrated Lucia of his popular Mapp and Lucia novels. Another story features the final appearance of the heroine Dodo, the character who first made the author famous; the woman who supposedly provided the model for Dodo once described her as a society girl, "a pretentious donkey with the heart and brains of a linnet." In "Dodo and the Brick," she sees off a social climber in fine style, as does the redoubtable Miss Ames in the title story. The collection also includes a little-known story with the ever-popular Miss Mapp, entitled "The Male Impersonator," in which she suffers a devastating retribution. And one of the stranger tales stars Benson himself, in "Atmospherics," as the author undergoes a mysterious and unsettling experience in his home town of Rye.When Desirable Residences brought E.F. Benson back into the bookstore, Mapp and Lucia lovers were delighted at the chance to have their favorite author in hardcover. Now comes another outstanding anthology
This collection of short stories captures the social anxieties and supernatural curiosities of early twentieth-century British life through a series of sharp, satirical vignettes. The protagonist of each story navigates a rigid social hierarchy where reputation is fragile and pretension is frequently met with swift, ironic retribution. Benson utilizes a third-person narrative framework to observe his characters, often highlighting the absurdity of their social maneuvers and the unexpected intrusions of the uncanny into their mundane routines. The stories function as a critique of the manners and morals of the era, balancing lighthearted comedy with darker, biting observations on human vanity.
Readers and critics frequently highlight the collection as a vital recovery of Benson's lesser-known works, noting that the stories maintain the same biting wit found in his more famous novels. Discussion often centers on the author's ability to pivot seamlessly between frothy social comedy and unsettling supernatural tales. Many readers appreciate the inclusion of familiar characters like Miss Mapp and Dodo, which provides a sense of continuity for established fans of the author's bibliography. The pacing is generally described as brisk and engaging, with a focus on character-driven irony rather than complex plot mechanics. Overall, the collection is viewed as a successful showcase of Benson's versatility and his keen eye for the absurdities of social life.
Page Count:
320
Publication Date:
1994-05-05
Publisher:
Oxford University Press
ISBN-10:
0192123254
ISBN-13:
9780192123251
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