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This is the most complete and authoratative collection of the works of Hart Crane ever published in paperback. Included are his three major collections of White Buildings, The Bridge, and Key West, as well as a number of his uncollected poems; a selection from his letters and prose; and Waldo Frank's Introduction to the 1958 edition of Crane's poetry.
This collection gathers the expansive, visionary poetic output and personal correspondence of Hart Crane, a central figure in American Modernism. Crane’s work seeks to reconcile the industrial landscape of the early twentieth century with the classical traditions of lyric verse. His objective is to capture the intensity of the urban experience through dense, metaphorical language and complex structural forms. The opposing forces in his work are often the fragmentation of modern life and the internal struggle to maintain a coherent artistic identity. The narrative framework is presented through a chronological and thematic arrangement of his major poetic sequences, supplemented by prose reflections and private letters that provide context for his creative process.
Readers and critics frequently highlight the density and linguistic complexity of Crane’s verse, noting his unique ability to fuse romanticism with industrial imagery. Discussion often centers on the structural ambition of his longer works, particularly the way he attempts to mythologize the American landscape. Many scholars emphasize the importance of the included letters in humanizing the poet and clarifying his often-obscure symbolic choices. The collection is widely regarded as a primary resource for understanding the development of the American avant-garde during the early twentieth century.
Page Count:
302
Publication Date:
1968-01-01
Publisher:
Oxford U.P
ISBN-10:
0192125443
ISBN-13:
9780192125446
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