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Mrs Gereth, widowed chatelaine of Poynton, is fighting to keep her house with its priceless objets d'art from her son Owen and his lovely, utterly philistine fiancée. When she discovers that her young friend and sympathizer Fleda Vetch is secretly in love with Owen, she thrusts her into the battle-line. The power struggle that ensues between the three women leaves Owen vacillating. What is at stake is not the mere possession of tables and chairs; it is, for Fleda, a conflict between aesthetic ideals, ethical imperatives, and her innermost feelings, in which she risks betraying, and being betrayed by, all that she holds most dear.
A fierce struggle over the ownership of a house filled with priceless art forces a young woman to choose between her moral integrity and her personal desires. Mrs. Gereth, the widowed owner of Poynton, attempts to prevent her son Owen from marrying a woman she deems unworthy of the family's exquisite collection. She recruits Fleda Vetch, a young woman of refined taste, to intervene in the engagement. As the conflict intensifies, Fleda finds herself caught between her loyalty to Mrs. Gereth, her growing affection for Owen, and her own rigid ethical standards, leading to a complex web of social maneuvering and emotional repression.
Readers and critics frequently highlight the precision of the prose and the intricate psychological depth of the characters. Discussion often centers on the moral ambiguity of Fleda Vetch and the manipulative nature of Mrs. Gereth. The narrative is noted for its slow, deliberate pacing which mirrors the internal hesitation of the characters. Many observers appreciate how the author elevates a domestic dispute into a profound meditation on ethics and aesthetics. The work remains a subject of study for its mastery of the psychological novel form.
Page Count:
201
Publication Date:
2008-01-01
Publisher:
OUP Oxford
ISBN-10:
0192669575
ISBN-13:
9780192669575