This publication investigates the historical provenance and editorial reconstruction of Franz Liszt’s Réminiscences de Don Juan for two pianos. The text serves as a critical edition, documenting the transition from Liszt’s original 1841 solo piano composition to the later two-piano arrangement published by Schlesinger in 1877. By providing a scholarly framework, the editors clarify the distinction between the composer's original intent and the editorial interventions added for performance clarity.

Musicologists and performers frequently cite this edition as a reliable source for studying Liszt’s complex transcription techniques. Experts highlight the clarity of the editorial markings as a standard for navigating the dense textures of Romantic-era piano literature.