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The scene: a sleeping car on the North-Western express, somewhere between Preston and Carlisle. The weapon: a small-caliber revolver. The victims: two young newlyweds, with little money and no known enemies. The puzzle: everyone in the car has an alibi, and no one was seen to leave. And thus the stage is set for another gripping detective story.The Oxford Book of English Detective Stories gathers thirty-three engrossing tales of crime, ranging from the birth of the genre to the present day. Arthur Conan Doyle, G.K. Chesterton, Agatha Christie, Dorothy Sayers, Margery Allingham, P.D. James, Ruth Rendell, Robert Barnard, and Simon Brett--all the giants of English mystery are here, as well as Christianna Brand, Ngaio Marsh, Michael Innes, Reginald Hill, Nicholas Blake, Michael Underwood, and many more. Editor Patricia Craig treats us to Sherlock Holmes, indefatigably tracking the details of the theft of Colonel Ross's prize horse, Silver Blaze, and the murder of its trainer. In "The Oracle of the Dog," G.K. Chesterton's Father Brown sits calmly in his study, solving at a distance the perplexing murder of Colonel Druce: was it the foreign Dr. Valentine, the foppish lawyer Traill, or Floyd, the exuberant American secretary? P.D. James sends Chief Superindentant Dalgliesh on the trail of a mysterious death from some seventy years before--a case with a final, darkly ironic twist. And Robert Barnard grimly lampoons English academe in "The Oxford Way of Death." In addition to this dazzling array of stories, Craig provides a concise introduction which surveys the origins and development of this enduring genre.Ingenious, gothic, morbid, satirical--the English detective story ranks among the most dynamic and gripping fiction. In The Oxford Book of English Detective Stories, Patricia Craig presents some of the best ever written, in an absorbing tour of the world of crime, detection, and retribution.
This collection presents thirty-three distinct narratives centered on the investigation of crime, ranging from classic puzzles to modern inquiries. Each story functions as an independent unit, featuring protagonists who must navigate complex social environments, logical inconsistencies, and hidden motives to uncover the truth. The narrative frameworks vary significantly, utilizing first-person accounts, third-person limited perspectives, and epistolary elements to challenge the reader's deductive capabilities. The physical and logical constraints are defined by the conventions of the English detective genre, where the primary opposition is the obfuscation of facts by perpetrators and the limitations of the investigator's own perception.
Readers frequently highlight the breadth of this anthology as a primary strength, noting how it effectively captures the evolution of the English detective story over time. Discussion often centers on the contrast between the rigid, puzzle-oriented structures of early twentieth-century tales and the more character-driven, atmospheric narratives of later authors. Critics observe that the selection balances well-known icons of the genre with lesser-known but equally skilled practitioners. The pacing is noted to be varied, ensuring that the collection remains engaging for those who prefer either cerebral logic puzzles or darker, more cynical crime fiction. Many readers appreciate the inclusion of the editor's introduction, which provides a necessary framework for understanding the cultural significance of the stories presented.
Page Count:
576
Publication Date:
1992-08-06
Publisher:
Oxford University Press
ISBN-10:
0192829688
ISBN-13:
9780192829689